on the road, i've seen fire and i've seen rain, three tall women, and...derryl strawberry.

moving on: the show is well into its 3rd week and is continuing to deepen and strengthen. but, not on my part. i'm stuck in some state of thinking where the only justification for my character is that he his mentally challenged. how else can you justify any of these lines or beatings? it's the only thing that makes sense to me. i can't fucking stand staring at everyone else on stage when in reality my character has no clue who anyone is or what anyone is doing. i'd love to get a collection of people who have been on stage in act v scene -whatever- and had no lines, and collectively decide how best to approach long runs of those scenes. it's damn near impossible for me to justify that. i guess the onus falls on me to figure that out, but i still think it's irritating; though perhaps its just been because the last two shows i've had no lines in the final 'stand off'.


some facts:
i was born on the same day as jack karoauc, james taylor, edward albee, and derryl strawberry.

muse is apparently touring in the US and its already sold out.

i'll be playing a servant in 'miss julie'.

no one should ever cover 'landslide'

the measure of success is still, i beileve, immeasurable.

the harmonics in 'mayonaise' make me smile.


running makes me feel better than anything.

accept change, accept differences, accept your faults are the faults in others as well.

bread that tears up the roof of your mouth is usually the most delicious bread.

weezer: it's like the difference between meeting a really smart, funny girl at a bar and striking up a personal conevrsation with her for 45 min.and then 5 years later after dating and breaking up with her, seeing her at a strip club, dancing with dead eyes around a pole to def lepard for 45 min. the former being Pinkerton, the latter being Maladroit --> Raditude